Titilating sexplotative movie reviews

ATLANTA — Adult megafans of … well, dragons, we suppose, will have an opportunity to let their wild sides loose during this year’s Dragon*Con at the Pink Visual Productions-sponsored ConSluts after party August 29.

Technically defined as “a person who attends several sci-fi/fantasy conventions a year,” the ConSlut actually represents sort of a sub-sector of a sub-sector. The party, which will include such contests as banana eating, “Guess What’s in My Pants” and sexiest dancer, is being thrown by the website that identified this particular demographic, ConSluts.com.

“Anyone who believes that fan conventions, especially those dealing with the science fiction genre, are little more than sexless, depressing vortexes swarming with four-eyed virgins and pimple-faced goofballs who carry multi-sided dice everywhere they go is sadly mistaken,” explained ConSluts.com rep Scott McGowan. “A crowd of geeks can be totally sexy, given the proper time and place to express themselves.”

“You don’t see this kind of collaboration very often, because sci-fi/fantasy conventions are open to the general public, and adult-themed content is often discouraged at the event itself,” said Pink Visual marketing and PR coordinator Kate Sylvan. “The idea to have an adult-themed party during a sci-fi convention is brilliant, and we are flattered that Scott asked us to be a part of it. This is a unique opportunity to reach out to a known fan-base.”

Pink Visual will be providing DVDs and trading cards as prizes at the party, to be held in a private suite at Atlanta’s Hyatt Regency Hotel.

“We’re particularly proud to have Pink Visual participating in this event, and it’s our pleasure to expose our guests to their brand,” said McGowan. “After all, that’s what this party is all about – allowing our guests the opportunity to learn more about such products in a non-intimidating and fun environment.”

Where do honeymooners want to go right after their wedding?

SADOMANIA!!!

Well at least thats what this flick would have you believe.

Heres the cliff notes - 

Sadomania is about a couple of newlyweds, Olga and Michael, who are traveling along the desert and accidentally trespass on the property of Magda Urtado (Ajita Wilson), who is the directress of a boot camp of sorts, where the women are treated as slaves and are half naked at all times. Magda keeps Olga in captivity while Michael is free to go, but later on in the film he plans an escape for Olga. She goes to work with the other girls out in the hot desert, and from there the plot just goes out in all different directions. There is a couple subplots in which a few of the workers are sent out to be hookers, one where a worker participates in a deadly game of cat and mouse, and one where the Governor (Antonio Mayans, billed as Robert Foster) is having trouble getting it on with his wife so he buys a couple of the workers to help him perform. Oh, and don’t let me forget the scene where the Governor is finally able to do the nasty with his wife, but only while watching one of the females be raped by a dog.

Sleaze,sleaze and more sleaze are the highlights of this film.

If you like hot topless women then you will see them literally thru the entire movie along with lots of lezzie licker girl on girl action which is the cherry on top of the women in prison genre. For spice they add in lots of whippings to titilate the fetish fans with a hint of gore courtesy of a rubber alligator head.

I personally didnt care for the dog on woman scene but I guess if your going over the top you might as well push the envelope as far as you can.

Added notes are this film was banned in the UK and only allowed in the US as an edited version. Also Ajita Wilson who plays the sadistic sex slut warden is a transexual.

If you want to see what the fuss  was over the women in prison genere then here is a good example.

The Movie
I like to think I pay pretty good attention to popular culture, but I had no idea that “Tripping the Rift” made it to a third season (though truthfully, I probably stopped caring after Season One.) Part of the problem is, the show’s third arc hasn’t made it to American airwaves, which makes it hard to see down here in the lower 48. Because the series hasn’t been seen in the U.S., it wasn’t hard for the creators of this DVD to package up a handful of episodes, slap on some bridge material and call it a movie. Hey, it worked for “Family Guy,” though in that case the episodes were meant to go together, which is certainly not the case here.

Instead, four shows from the third series are soldered together by taking the episode “Chode Eraser,” which features a Terminator-like Bobo robot traveling back in time to prevent Chode (Steven Root) from knocking up Darph Bobo’s daughter Babbette, and threading it in and out of three other episodes. To say this results in a disjointed storyline is an understatement, as characters seem to pop in out of nowhere, and the entire overarching storyline gets twisted abruptly, with the appearance of a character previously unseen in the “film.” The main problem with the film is the theme of the three episodes chosen, which are parodies of other shows and films. As such, the stories and jokes don’t resonate outside of their settings and therefore can’t connect.

On their own, they actually aren’t bad, with a Frankenstein parody, a “Desperate Housewives” episode, an Indiana Jones (or possibly Goonies)-style adventure and a T2 story, though the older gags travel rather well-worn paths, especially the T2 and Frankenstein segments, which are the most obvious and the most over-done, thanks to the hundreds of parodies that have come before. Unfortunately, the Terminator concept is the bit they built the whole film around, which takes some of the bite out of the venture. The Desperate Housewives episode, which can best be summed up by saying “Boobs, boobs, boobs,” fits best with the show’s sense of humor and tone, mainly because of the boobs. We’re not trying to reach new heights here.

Putting the emphasis on parody and references to popular culture, the movie lacks the cleverness and topicality that was the strength of the series’ prior seasons, reducing the need for the characterization that was fun previously. As a result, having Jenny McCarthy as the new voice of Six was a waste, as she barely did anything. In fact, the film is more like a buddy film between Chode and Gus (Maurice Lamarche), with everyone else taking a seat far in the back of the comedy bus (though at 75 minutes, it’s a rather short bus.) It’s also once again a falsely advertised bus, as labels like “Unrated” and “Gratuitous Nudity” are all but meaningless. The only thing uncensored is a bunch of cursing, and the briefest of brief long-distance rear nudity. No one should be looking to a computer-animated comedy series fortitillation , but when you actually have the opportunity for nudity, like say, a strip club, and you have big white bars that say “CENSORED!,” you’re going to annoy or disappoint viewers. But then, that’s one thing this disc does well.

The DVD
A one-disc affair, the DVD is packaged in a standard keepcase, with a pretty holofoil slipcover (which repeats the cover art) and a four-page insert featuring a letter from Chode and a chapter list. The DVD has a static, anamorphic widescreen main menu, with options to watch the film, select scenes, adjust the audio and check out the extras. Audio options include English Dolby Digital 5.1 and 2.0 tracks, while there is closed captioning, though no subtitles. The Quality
The anamorphic widescreen transfer on this “film” looks rather nice, though obviously not up to the quality of a Pixar production. The computer animation is well-detailed and brightly colored, but there’s a lack of texture in places (mostly furniture and background), giving it a plastic look, while other elements come off as flat. Overall, for the production level, the video is solid, especially in the well-rendered black-and-white segment, and there’s no noticeable dirt, damage or digital artifacts in the image, though the Desperate Housewives parody comes off as soft in spots (which may be a reference to a series I will never watch.)

The Dolby Digital 5.1 track is surprisingly strong for what is essentially a stitched-together collection of TV episodes, with a number of scenes employing the surround speakers to put the viewer in the middle of the aural action. For the most part, the show is dialogue-first, and the soundtrack handles that smoothly, delivering distortion-free voices and clean special effects, with properseparation between the characters and the music.

The Extras
Just two extras available on this one, starting with the seven-minute “Captain’s Log: The Making of Tripping the Rift: The Movie” Can’t say the title fits too well, as several time reference is made to the show’s third season, not a movie production, but either way, you get to hear from McCarthy, Root, Lamarche and Melendez, and see them in the recording booth. It’s EPK all the way, and is as fluffy as you may expect, though it’s fun to hear from Root and Lamarche.

The trailer is just a thrown-together reel of clips from the movie trying to explain the so-called plot, but it comes across as almost insulting in laying out each part of the story. The insert’s letter from Chode is amusing, but without Root to read it, it doesn’t have the same laugh quotient.

The Bottom Line
Why a movie instead of a third-season collection? Why not a best-of collection? Why not nothing? Was the demand so high for a season that didn’t air in America, that we couldn’t just wait for a complete release? Whatever the reason may be that we have this odd invention, it resulted in a half-baked excuse for an adventure that isn’t all that funny, lacks the smarts of the first season and doesn’t follow through on the unrated promises likely to draw in the series’ fans. The DVD looks and sounds very good, and features very limited extras, making it easy to say skip this release, and hope for a set of third-season DVDs.

 

From beyond the stars come two aliens – not to destroy our world, but to learn how to reproduce and save their dying planet. To blend in, Galaxia assumes the form of a sinfully gorgeous and sexy blonde while Zorkon becomes… well… a dork.  Their research begins with them peeking into windows witnessing hot & steamy encounters between Earth men and women.  Zorkon quickly gets the idea and wants to experiment with Galaxia’s luscious delectable body. 

 But Galaxia must learn more, and soon discovers a strange yet sensual attraction to the female species.  Quicker than you can count the moons of Primax, Galaxia starts indulging her wettest wildest alien fantasies with the most voluptuous Earth women who willingly offer their bodies to her sensuous lips and exploring fingers.  Zorkon, meanwhile, finds his own beautiful women, but they only have eyes – and hungry mouths – for one another. 

Will Galaxia and Zorkon unite in human ecstasy and save their planet? Or will Galaxia’s luxurious lesbian desires and alien seduction spell doom for their civilization??

Ok…Girl Explores Girl: The Alien Encounter is an erotic spoof. 2 aliens with  Katie Keane and  John Bacchus visiting Earth . While Katie Keane continues to get hotter and hotter, her counterpart grows more and more idiotic. Out researching, Kaite Keane spies on an Earther sunbathing (not so hot Natalia Ashe) and becomes aroused at the sight. The two women meet and the alien is given a lesson in the ways of lesbian love. The chemistry between these two is extremely hot and the only thing sexy about Natalia Ashe is her amazingly long tongue.

The film also features SC’s gothic goddess Darian Caine. She and a fellow escort (Victoria Vega) are hired by the male alien for entertainment purposes (you guessed it, lesbian sex). The chemistry between these two is nowhere in the vicinity of that shared between the other pairing. They seem uninterested in each other and as if they are just going through the motions. Anyway, the male alien discovers the secret of human reproduction and tries convincing his travelling partner to experiment with him but only wants her newfound friend.

I rated this film 4 stars based solely on the chemistry between Natalia Ashe and Katie keane. Also, you get a close up shot of Katie’s sexy, shaved vagina. Overall, it is a decent effort by Seduction Cinema. I wouldn’t recommend buying this unless you really love Katie Keane lol.

Anders Manga is set to contribute music to the horror film, “BEG” currently in production. The feature length film stars horror icon, Tony Moran who is known for his portrayal of Michael Myers in the John Carpenter films, “Halloween” & “Halloween 2″. The movie also stars screen legend PJ Soles (Carrie, The Devil’s Rejects, Stripes, Halloween), Debbie Rochon (Tromeo & Juliet, Terror Firmer), Fright Night Filmfest’s “Scream Queen of the Year”, Tiffany Shepis (Ted Bundy, The Ghouls), Kristina Klebe (Rob Zombie’s Halloween, Law & Order) and J LaRose (Saw 3, Saw 4, Mortal Combat).

“I was approached by director Kevin MacDonald to do some music for the film,” said Anders. “With a look at the storyline and incredible cast he is working with, I immediately accepted.”

In conjunction with the film, a Music Video is also being discussed that would feature scenes from the movie.

BEG stars Tony Moran as Detective Jack Fox, a man who has placed his life, marriage and sanity on the line to corner a Masked Killer before his retirement.

The year is 1800. The town, Bacchusville, New Jersey. Reclusive local witch Helena Pottsworth (Paige Richards) can no longer contain her surging lesbian desires, and this puritanical, post-colonial town is about to fight a revolution of the sensual kind. Using a bit of black magic and a lot of hypnotic beauty, Helena begins seducing the female citizenry in bodice-ripping acts of pagan eroticism and hot-tongued debauchery that make bodies quiver in ecstasy. Soon, no woman is safe, not even the mayor’s sexually repressed wife, Martha (Laurie Wallace), who quickly succumbs to Helena’s sexy spells and luscious body. Fighting back, the mayor and his right-hand men denounce Helena as an outcast and banish her to the Bacchusville woods. But the entire population follows her there, with men watching women indulge their wildest orgiastic fantasies with a supernatural intensity. Helena has cursed the countryside with her most seductive spell yet, leaving no doubt who the Erotic Witch is.

Even though Witchbabe is advertised as The Erotic Witch Project III, it’s actually a prequel to the original Erotic Witch Project and its sequel, Book of Seduction. Adding to the confusion is how, even though this chapter of the Erotic Witch saga is set two hundred years before the others, some of the same cast members return – as different characters!

As you may have guessed, Witchbabe is the latest in a series of erotic spoofs of the Blair Witch Project movies.
 

Witchbabe is an odd mixture of soft-core erotica and dorky slapstick. It’s so amateurish and juvenile that it makes Troma movies look like high art. It’s shot on video with barely any production values, not to mention the countless anachronisms (I didn’t know that 1800 women had vinyl underwear and boob jobs). The film often feels improvised on the spot, which is a mixed blessing.  Hammy and obnoxious characterisations abound, be it Mayor Rudolf’s hysterical fits, the grimacing hick farmer (played by West himself), the fornicating priest or the offensive, stereotypical flaming homosexual.One might argue that all that really matters in such a movie is the sex scenes, but those are also an uneven lot. The female performers all look good, be it black haired Paige Richards as the Erotic Witch, Laurie Wallace as blonde bimbo Martha, brunette girl-next-door Misty Mundae or sexy redhead Ruby Larocca. The girl-on-girl scenes in which they participate are generally sensual, but they’re undermined by really cheesy music. Thankfully, none of the ugly male actors take part in the sex, but even though they’re just standing over the girls and making goofy faces, it’s a turnoff.

Still, one feels some sympathy for Terry West, John Bacchus and the gang at Seduction Cinema. In a time where porno movies are always trying to be more graphic and depraved, where it’s all about men brutally using women, there’s something refreshing about these silly lesbian spoofs, however incompetent they are.

Starring

Darian Caine	Debbie Rochon	Misty Mundae
Paige Richards

Nestled in the mountains of present day Germany, a grim and secluded castle stands- the haunted legacy of the beautiful medieval vampire Baroness Varga. Put to death for her ravenous hunger for female bodies and blood, the Baroness uttered a curse that she would one day return to forever satisfy her unnatural lust… and that day has finally come! Four women have gathered as the castle unaware that its darkly seductive housekeeper is a satanic high priestess presiding over a coven of delectable servants, each night performing wild orgiastic rituals and sensual lesbian acts to keep the Baroness’ profane spirit alive. As the women are drawn deeper into the ultra erotic nightmare- succumbing to torrid and evil fantasies of the flesh- it will be the most uninhibited among them who shall serve as the vessel into which the Baroness passes… to continue her evil reign of terror!

Yeah yeah yeah yeah…

When one thinks of sexploitation, there are a few names that immediately come to mind such as Russ Meyer, Harry Novak, and Doris Wishman. Connoisseurs of the genre know that there is another man that had a substantial output of these types of films in the 60′s and 70′s. That man is Joe Sarno and although he started his career in America, he made his mark in Sweden by casting Marie Liljedahl in the title role of Inga in 1968. After the success of Inga and a number of other films, Sarno decided that he needed a new leading lady, which he found in the innocent looking Marie Forsa. Vampire Ecstasy marks Forsa’s debut and we quickly learn that this little nymph isn’t so innocent.

This is a strange film. The plot is similar to a number of Hammer and other classic horror films as a group of people (including Forsa) end up at a castle where it turns out that there is a creepy caretaker (Nadia Henkowa) who seemingly wants to resurrect her long lost master. Although the master is usually in the form of a male, in this case it is a female whose portrait is hanging over the fireplace.

Another unusual aspect is that the creepy caretaker is a lesbian with a thick Hungarian accent who leads a gang of lesbian Robert Palmer-video rejects who dance to the sound of pounding bongo drums on a nightly basis. It turns out that this dancing ritual also has the effect of making any houseguests very horny which is good for us and the gorgeous Forsa needs to constantly remove her clothes to either masturbate, bang a dude named Peter in a pile of hay, or get it on with whatever willing female happens to be in her vicinity. This somehow ties into a way that the weird Hungarian can create a vessel to resurrect her boss.

Although there is a plot here, it is somewhat disjointed but I suppose a disjointed plot is better than no plot. I have to admit though that Forsa is what saved this movie for me, as she is one of the more attractive women to come out of the early 70′s sexploitation scene. Her performance alone has bumped this film from one to two stars in my opinion.

The location is great as they used a real castle and everything looks stylish but it doesn’t take away from the fact that this flick was kind of a bore. Even with the penis candles, weird shots of horse feet during sex scenes, and a bat attack that results in clothes being ripped off, I was still not very inspired. One of my main complaints is that this was giving the promise of a horror movie but there was just not much to be scared about other than the overstated acting and heavy accents (especially from Henkowa) that felt like I was watching a bad high school play in Germany.

I would have liked to have seen a little more suspense and a little more of a build up to a climax (ha ha). Without these elements, this is little more than a sexploitation flick that seemed a little confused. At least with Novak’s flicks you get decent sex scenes and with Meyer the movies are well shot and you root for the characters. This one just had me wanting to watch something with Christopher Lee in it.

Playmate of the Apes is an ultra-erotic sci-fi adventure that takes you deep into the “Forbidden Zone” – a well-endowed landscape of luxurious lesbian pleasures and sensual female desires from which there is no coming back. In the far distant future, sexy and fearless U.S. astronaut Gaylor (Misty Mundae) and her shipmates (Anoushka, Sharon Engert) crash land on a grim and desolate planet. Quickly out of their spacesuits and into each other’s arms, unbridled lesbian seductions become their only hope for survival. But Gaylor and crew discover the planet to be dominated by a tyrannical race of intelligent talking apes led by the dastardly General Lade who plots the enslavement of all humans. The three astronauts are caught and imprisoned, yet Gaylor’s smarts, girlish charms, and hot erotic beauty immediately catch the fancy of human-friendly ape Dr. Kweera (Debbie Rochon) as well as the luscious wild woman Uvala (Darian Caine). Soon, no woman can keep her “filthy” paws off Gaylor’s young, scrumptious body, and a revolution of untamed and uninhibited female lust threatens to bring down the repressive ape society…or set it free!

The DVD also contains a mock music video called “We’re the Humans” which sends up the Monkees theme.

Starring

Darian Caine

Debbie Rochon

Misty Mundae

Only the sexiest, most delectable call-girls are her victims. She seduces them first, taking their taut, writhing bodies to exhausted heights of pleasure never before experienced.

Then, gasping in ecstasy, they offer themselves to her…forever! For she is Lette, a voluptuous lesbian vampire with an insatiable hunger for drop-dead gorgeous women. But Lette is being hunted down by Kathy, a beautiful undercover policewoman whose ultra-erotic desires are unfulfilled by her husband.

Posing as a call-girl, Kathy quickly discovers that her wildest sensual fantasies can only be satisfied by another woman stroking and caressing her to the point of no return. And it’s only a matter of time before she finds herself seduced by the darkly alluring and mysterious Lette who gives her everything she craves.

Yet as their bodies sweat and strain to reach even greater sinful pleasures, Kathy realizes that she is in way too deep…that she might have blown her cover…and that the taste of her new lover is nothing less than pure evil. Will Kathy be able to resist and do her duty, or will she further succumb to the vampire’s ravenous nocturnal lust?

The beautiful sexually repressed Baron Helena Frankenstein has been killed in a tragic horse-riding accident.  Now it is up to her husband Victor – great great grandson of the infamous ghoulmaker – to give Helena a new brain and bring her back to life.  But the new brain comes from a lesbian nymphomaniac, and it turns the revived helena into a rampaging sex starved monster who must have her way with every woman she meets.  At first repulsed by the evil seductress, each delicious victim eventually submits to Helena’s insatiable female lust which takes them to gasping and exhausted heights of pleasure.  Soon, however, the townspeople of Karlstadt learn of Dr. Frankenstein’s sexy and diabolical new creation, and they set out to destroy her.  But hot gorgeous women making love has a way of melting the hearts of even the angriest mob…

If your  big fan of the film FRANKENHOOKER,  this movie will remind you of it. Darian Caine, who plays Mistress Frankenstein, is great and gives one hell of a performance. The way she delivers her lines as “the monster” is hilarious. Not only is Darian great, but the movie itself is cool too. It’s got a lot of toilet humor, which is always good. The film doesn’t take itself seriously at all, you can tell the people had fun making it. John Bacchus, the director, also made THE EROTIC WITCH PROJECT, which features a couple of the same actresses. Go check out both if you haven’t.

Starring:

Jade DuBoir  Victoria Vega  Darian Caine